NatureThis is a story about the Xindian River, where the creatures and the locals meet. SpiritsThis area was once home to otters. They travelled swiftly above and below the surface of the water. RitualsThey built their nests in the river with twigs and blades of grass. They crossed the boundaries of time and space.MythsThe Butoh …
Previous Next The exhibition was a gym for visitors to experience by registration during the regular visiting hours. Two special fitness workshops were held with professional trainers on 2024.12.7 and 2024.12.14. Edit gallery “Ethanol, Fitness, Media Blur – Just What Is It That Makes Today’s Intoxications So Different, So Appealing?” — Lo Yi Chun’s Solo …
Previous Next “Big Vases and the Exotic Landscapes” is represented in “SUNDAY: Contemporary Art on Migrant Workers in Taiwan” at Tainan Art Museum It is interesting to note that since ancient times, vases have carried images of exotic landscapes. However, for migrants who work and live away from home, landscapes are not only regional customs …
“Banana Taiwan Japan Philippines” a part of “South Plus: Constructing Historical Pluralism Ⅲ ─ Ocean in Us: Southern Visions of Women Artists” at Kaohsiung Museum of Fine Arts “Banana Taiwan Japan Philippines” is an installation composed of air-dried banana peels that resembles the glorious banana market in Taiwanese during 1950~1970. It is the first banana …
“Bagasse Missiles” a part of “Fāng Wù — Asian Contemporary Sculpture Exhibition” at Tainan Art Museum Taiwan, situated in the subtropical region, once had sugarcane as its primary export commodity. Lo Yi-Chun ingeniously employs bagasse to create a series of interactive missiles: as viewers grip the handle and open and close their arms in a …
“Deer Rug” a part of “VOC, Sea Monsters, Artillery Fire, and Them: 400 Years of Fort Zeelandia” at Tainan Art Museum “Deer Rug” is an animal hide composed of air-dried banana peels that resembles the Taiwanese Sika deer. I created it at the same time as my “Tropical Collection” (2016) during my residency at the …
Gallery not found. Carbohydrate Fueling Cycle I, II, III at the Hakka Cultural Centre Media: Sugarcane fiber, tobacco, waxDimensions: variable Carbohydrate Fueling Cycle I, II, III at the Hakka Cultural Centre is a continuation of Lo Yi-Chun’s sugarcane series “Molasses, Ethanol, Fitness Workshops, Just What It Is That Makes Today’s Life So Different, So Appealing? …
2023 – “Carbohydrate Fueling Cycle” at the Hakka Cultural Centre Read More »
A new work inspired by the recent research trip to the Caribbean “The Great Dark Fleet” is an artwork created using dried banana peels that symbolize capitalism, particularly the business practices of the American multinational fruit companies of the 20th century that operated between Central America, the Caribbean, and the United States. The title of …
“Carbohydrate Fueling Cycle” at the Hakka Cultural Centre “Carbohydrate Fueling Cycle I, II, III” is a continuation of the “Molasses, Ethanol, Fitness Workshops, Just What Is It That Makes Today’s Life So Different, So Appealing?
Lo Yi-Chun’s work Taste of Ocean, 2018, which used sun-dried banana peels to create lines resembling ink drawings related to the lives of migrant workers in Taiwan, is included in the group show Living the Days at Yu-Hsiu Museum. Living the DaysDate | 2023.9.16 – 2024.2.18Venue | Yu-Hsiu Museum Collaborators | Mind Set Art Center, galerie nichido …
