Mysterious Formosan Clouded Leopard Previous Next Mysterious Formosan Clouded Leopard, 2019 Media: Bagasse, tobacco shredsDimensions: 160 x 220cm I studied the Southeast Asian clouded leopard (Neofelis nebulosa) and the Sunda clouded leopard (Neofelis diardi) found in Sumatra and Borneo for comparison of their fur patterns, habitat, movement, and distribution, and chronology of reported sightings to …
Protective Layers: Kangaroo Hide & Fox Pelt Previous Next Mix-Media Installation Materials: grass tree trunk, kangaroo grass, wheat, barley, canola seeds, wool blanket, Limestone sand Unique Ecology of Western Australia When I first visited Australia in 2019, the exotic, native vegetation and the distinct, rocky landscape fascinated me. I became interested in the development …
Previous Next THE DIVER, 2023 Materials: Bamboo, leather, bottles, tubes, air gun, air valves During the period of White Terror in Taiwan from 1947 to 1987. The inmates at the New Life Correction Center laboured and collected corals along the coast spanning from Niutou Hill to the Nanliao Coast. Only a few inmates had the …
Edit gallery CLIMBING UP TO ARCHAEOLOGY IN NEIWEI, 2022 Media: High density gypsum, woodwork, digital printDimensions: Wall 475 x 300cm; Floor 100 x 150 x 250cm Neiwei has been a site of human activity for a long time. Pottery, stone tools, animal bones, and shellfish remains have been excavated here. The continued agricultural and industrial …
2022/2023 – Climbing up to archaeology in neiwei Read More »
The Notebook of Takahashi (Alishan, 1861) Edit gallery From the Notebook of Takahashi (Alishan, 1861) Video Installation, mixed media This work is based on a mid-19th century narrative history written in a notebook by a young Japanese ethnographer named TAKAHASHI Hiroki. The notebook presents fragmented stories as well as reports of various activities and cultural …
2021 – From the notebook of Takahashi (Alishan, 1861) Read More »
Black Edit gallery Gold Edit gallery White Edit gallery “Black · Gold · White“, 2022 “Black · Gold · White” is an exhibition of the artist Lo Yi-Chun’s creations and explorations over the past ten years using banana peels, tobacco, and bagasse as her materials of choice, that explore cash crops in the historical context …
Edit gallery “Big Vases and the Exotic Landscape”, 2019Bamboo Splits, fiber paper, Marine litters, banana peelsPresented at Live Forever Foundation, Taichung, Taiwan Back to Works
Tainan Edit gallery “Sugarcane Fiber, Molasses, Ethanol-blended Aviation Gasoline. Just What Is It That Makes Today’s SUGARCANE FIELDS So Different, So Appealing?”, 2019Sugarcane fiber, bamboo splitsPresented at Tsung-Yeh Art and Culture Center, Tainan, Taiwan Sucrose was one the first exports that brought Taiwan into the fold of world trade and economy in the 17th century …
Previous Next “Golden Jasmine”, 2017dried tobacco leaves, bamboo, white netsPresented at Meinong Hakka Cultural Museum, Kaohsiung, Taiwan During my year of field research, I observed and recorded the steps followed by the tobacco farmers. Sow in August, grow seedlings in September, and add soil in October. At the end of the year, after fertilizing and …
Edit gallery “Tropical Collection”, 2016 Cypress, bamboo panels, digital prints on fabric, ribbon, banana peelsPresented at Navigation & Trajectory, Aomori Contemporary Art Centre, Aomori, Japan Tropical collection is a series of wooden screens with Taiwan’s industrial landscape as its main theme. The installation, which consists of twelve vertically-held tatami screens, is the product of Lo Yi-Chun …
